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You locked her up once, but she’s out free again! One of the largest escape rooms in the area! The scene is set in an old home, your job is to find Annabelle. She’s free, she’s angry, and she’s out to get you. Find her cabinet, the special lock, and find her.
All ratings (28)
Mostly positive
77 escape rooms
We like this location and staff here. The room was ok but I feel like if you have to ask for a clue to get started, then something needs to change. Overall, it was an ok room. Cool puzzles.
Shout out to Cora!
105 escape rooms
Immediately after playing Annabelle Part 1 we raced over to Doldrick's other location to play the sequel. All in all we felt that the sequel was not as good as the original. That said, I experienced a moment from a triggered even that caused a fellow player to be so startled they fell over and I never laughed so hard in a game before.
The Microwave was one of the funniest uses of a prop I have ever seen. when it triggered the reaction of it doing its thing caused one of our players to fall over in surprise and I have never laughed so hard in a game.
No
Medium
4
Spooky
15
No
No
Not at all
Yes
Easy
25 escape rooms
This game was one of if not the poorest quality game I have ever experienced. The staff were very kind but this game is very low quality and not worth the money in my opinion.
Spooky
190 escape rooms
A game inspired by the James Wan film, “Annabelle.” Players who are inexperienced may find this game enjoyable, but it’s not the kind of room to stop and play if you’ve done more than 10 games. There’s nothing special about it.
You will use some items more than once. Not all letter locks make a word. Unorganized gameplay and unintuitive.
Nothing impressive.
No
It’s a game themed after a movie, so not particularly interesting or original. Just a money maker.
Medium
Mechanical
Mostly locks.
4
Spooky
No jump scares. Just eerie.
4
No
No
Would have made it a lot better if there were.
Not at all
Yes
Easy
191 escape rooms
𓆜𓋘𓄁 𓊛𓇙𓋸𓌤𓌥 𓌦 𓅐𓆢 𓆣 𓀉𓆤 𓆥 𓅑𓆘 𓆙 𓅒𓄙 𓄚 𓄛 𓅓𓃺 𓃻 𓅔 𓅕 𓃕 𓃖 𓃗 𓎷 𓄁𓎸𓅖 𓅽 𓅾 𓅿𓅗 𓅘 𓇆 𓇇𓅙 𓅚 𓁵 𓁶𓂵 𓂶𓃝𓋲 𓋳𓀬 𓅛𓁃 𓂺𓅜 �𓅝𓃄 �𓄁𓅞𓂙 𓅟𓂿 𓆜𓋘𓄁 𓊛𓇙𓋸𓌤𓌥 𓌦 𓅐𓆢 𓆣 𓀉𓆤 𓆥 𓅑𓆘 𓆙 𓅒𓄙 𓄚 𓄛 𓅓𓃺 𓃻 𓅔 𓅕 𓃕 𓃖 𓃗 𓎷 𓄁𓎸𓅖 𓅽 𓅾 𓅿𓅗 𓅘 𓇆 𓇇𓅙 𓅚 𓁵 𓁶𓂵 𓂶𓃝𓋲 𓋳𓀬 𓅛𓁃 𓂺𓅜 𓂨𓅝𓃄 𓄁𓅞𓂙 𓅟𓂿
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